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At their best, the pictures add to our understanding of the surface event documented and reveal something profound about the people pushing that history forward. ― The Los Angeles Times
Available for the first time in an accessible paperback edition, this groundbreaking book presents a remarkable selection of contact sheets and ancillary material, revealing how the most celebrated Magnum photographers capture and edit the very best shots. Addressing key questions of photographic practice, the book illuminates the creative methods, strategies, and editing processes behind some of the world’s most iconic images.
Featured are 139 contact sheets from sixty- nine photographers, as well as zoom-in details, selected photographs, press cards, notebooks, and spreads from contemporary publications including Life magazine and Picture Post. Further insight into each contact sheet is provided by texts written by the photographers themselves or by experts chosen by the members’ estates. Many of the acknowledged greats of photography are featured, including Henri Cartier- Bresson, Elliott Erwitt, and Inge Morath, as well as such members of Magnum’s latest generation as Jonas Bendiksen, Alessandra Sanguinetti, and Alec Soth. The contact sheets cover over seventy years of history, from Robert Capa’s Normandy landings and the Paris riots of 1968 via Bruno Barbey, to images of Che Geuvara by Ren� Burri, Malcolm X by Eve Arnold, and portraits of classic New Yorkers by Bruce Gilden.
446 illustrations- Sales Rank: #305880 in Books
- Published on: 2017-10-24
- Released on: 2017-10-24
- Original language: English
- Dimensions: 11.60" h x 1.60" w x 9.60" l,
- Binding: Paperback
- 524 pages
Review
“. . .a magnificent compendium of raw images from the photography cooperative.” (New York Times Book Review)
“A rare revelation.” (Arts and Antiques)
“Through these fascinating and usually private images, the exhibition celebrates what and how photographers saw for nearly a century. Coinciding with the publication of Magnum Contact Sheets (Thames & Hudson), edited by ICP Curator Kristen Lubben, the exhibition includes a selection of some of the 139 contact sheets in the book.” (NY City Official City Guide)
“This 500-page volume provides a peek at the process behind these photos, showing the shots taken before and after each standout and letting the photographers tell how they made their choices.” (Art+Auction)
“[This book]…offers unique insight into the working progress of the celebrated agency’s photographers over the past seven decades—their approach to taking and editing their pictures as well as their idiosyncratic relationships with the contact sheet.” (Time Magazine)
“Gives unprecedented access into the creative process of some of the world’s greatest photographers.” (Complex's Art + Design)
“…a magnificent compendium of raw images from the photography cooperative.” (The New York Times Book Review)
About the Author
Kristen Lubben is the Associate Curator at the International Center of Photography in New York. Her previous books include Susan Meiselas: In History and Amelia Earhart: Image and Icon.
Most helpful customer reviews
30 of 31 people found the following review helpful.
A flawed masterpiece
By Habu
Magnum Contact Sheets is truly a masterpiece in terms of content.
The reproductions of the photographs in this book are of outstanding quality. This is an iconic book that will be highly sought after in the future. I would expect prices to skyrocket once it is out of print.
In my opinion, this is a book that every serious photographer, student of photography and connoisseur of fine photography books should own.
And now for the bad news: Due to a combination of marginal binding strength by Thames & Hudson and improper packing for shipment by Amazon, I had to return the book repeatedly to get an undamaged and/or non-defective copy. When copy #4 arrived, I at long last had an acceptable copy of this outstanding book. There are two threads on this book and the trials and tribulations associated with it at L-Camera-Forum (Google it).
I would rate the book at five stars (or an "A") for content and quality of photographic reproduction. However, in terms of the binding I would have to rate it at two stars (or a "D").
It is truly unfortunate that the marginal binding has flawed an iconic book that is in all other ways a masterpiece.
5 of 5 people found the following review helpful.
A brilliant book I would recommend any aspiring photographer or photojournalist to have in their collection
By TDR
A brilliant book I would recommend any aspiring photographer or photojournalist to have in their collection as it talks about not just the trials or work of the great ones before them, but it shows them how the photographers of the past had worked.
I particularly love this book as it shows how much the final printed out shoot differs from the ones shown in the contact sheet indicating that some degree of printing skills was involved to make the photo work very well. As well as that exposure is not always spot on when they took the photos in the hectic situation.
I also love the stories associated with each of the winning shots from each contact sheet taken over the years. Keep in mind, this isn't just for film enthusiast (but it helps to have a better understanding of the work presented here) as later chapters shows digital contact sheet as well.
0 of 0 people found the following review helpful.
A unique and extraordinary insight into the photojournalistic photographic process
By GP
This book represents a unique and extraordinary insight into the photojournalistic photographic process. Many famous images are represented here, but what makes them particularly valuable is you get to see the contact sheets as well as the stories behind the pictures. I know of no other book on photography that comes as close to this. Some examples that spring to mind are Ansel Adams - Making 40 Photographs, Michael Freeman's photo books, and most recently, those of Scott Kelby, all of which give you insights into technique and the photographer's mind. But none of these tap into the extraordinary resources captured in this book. My approach to reading and absorbing this substantial volume has been to look at the contact sheets first, to understand the material captured, and then see how your choices relate to those of the photographer. This in itself is a valuable learning experience, not diminished in any way by the clues contained on the contact sheet in the form of notations. This is one book that should be on the bookshelf of every serious student of photography.
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